Bringing Ibsen's "Brand" into the Twentieth Century: Cecilie Løveid's "Østerrike"
Performed under the direction of Jon Tombre as part of the 1998 Ibsen Festival at the National Theater in Oslo, Cecile Loveid's "Osterrike" is described by its author as "en overmailing" of Ibsen's dramatic poem "Brand" of 1866. Thresher examines how Loveid ex...
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Veröffentlicht in: | Scandinavian studies 2002-03, Vol.74 (1), p.47-60 |
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Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | Performed under the direction of Jon Tombre as part of the 1998 Ibsen Festival at the National Theater in Oslo, Cecile Loveid's "Osterrike" is described by its author as "en overmailing" of Ibsen's dramatic poem "Brand" of 1866. Thresher examines how Loveid exposes the inherent violence in this hierarchical binary oppositional framework and outlines how she suggests that an opening up of these oppositional dichotomies is beneficial for the postmodern female subject. |
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ISSN: | 0036-5637 2163-8195 |