Bringing Ibsen's "Brand" into the Twentieth Century: Cecilie Løveid's "Østerrike"
Performed under the direction of Jon Tombre as part of the 1998 Ibsen Festival at the National Theater in Oslo, Cecile Loveid's "Osterrike" is described by its author as "en overmailing" of Ibsen's dramatic poem "Brand" of 1866. Thresher examines how Loveid ex...
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| Veröffentlicht in: | Scandinavian studies 2002-03, Vol.74 (1), p.47-60 |
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| description | Performed under the direction of Jon Tombre as part of the 1998 Ibsen Festival at the National Theater in Oslo, Cecile Loveid's "Osterrike" is described by its author as "en overmailing" of Ibsen's dramatic poem "Brand" of 1866. Thresher examines how Loveid exposes the inherent violence in this hierarchical binary oppositional framework and outlines how she suggests that an opening up of these oppositional dichotomies is beneficial for the postmodern female subject. |
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| identifier | ISSN: 0036-5637 |
| ispartof | Scandinavian studies, 2002-03, Vol.74 (1), p.47-60 |
| issn | 0036-5637 2163-8195 |
| language | eng |
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| source | Jstor Complete Legacy |
| subjects | Analysis Criticism and interpretation Drama Dresses Equal rights Femininity Gender identity Gender roles Ibsen, Henrik Ibsen, Henrik (1828-1906) Literary criticism Loveid, Cecilie Loveid, Cecilie (1951- ) Masculinity Norwegian drama Norwegian literature Palaces Poetry Portrayals Postmodern philosophy Postmodernism Sex role Theater Wittgenstein, Ludwig Womens rights movements |
| title | Bringing Ibsen's "Brand" into the Twentieth Century: Cecilie Løveid's "Østerrike" |
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