论《溪山琴况》美学思想与现代钢琴演奏的契合
《溪山琴况》是一部详尽全面阐述古琴艺术理论及表演的美学专著,以“和”况为重要审美范畴,来阐释琴艺理论并践行于琴技审美。在钢琴演奏中把《溪山琴况》美学思想融入其中,能产生感触人心的音乐,发出“天籁之音、声外之境”的声响,真正实现“人琴合一”完美演奏境界。...
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| Veröffentlicht in: | 音乐创作 2017 (12), p.119-121 |
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| container_title | 音乐创作 |
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| creator | 卢婷婷 |
| description | 《溪山琴况》是一部详尽全面阐述古琴艺术理论及表演的美学专著,以“和”况为重要审美范畴,来阐释琴艺理论并践行于琴技审美。在钢琴演奏中把《溪山琴况》美学思想融入其中,能产生感触人心的音乐,发出“天籁之音、声外之境”的声响,真正实现“人琴合一”完美演奏境界。 |
| doi_str_mv | 10.3969/j.issn.0513-2436.2017.12.031 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0513-2436 |
| ispartof | 音乐创作, 2017 (12), p.119-121 |
| issn | 0513-2436 |
| language | chi |
| recordid | cdi_wanfang_journals_yycz201712031 |
| source | 国家哲学社会科学学术期刊数据库 (National Social Sciences Database) |
| subjects | 溪山琴况 美学思想 钢琴演奏 |
| title | 论《溪山琴况》美学思想与现代钢琴演奏的契合 |
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