"电影的朝圣" ——解读电影《冈仁波齐》的心理图景
导演的创作过程就是其对电影主题的个体"心象"的转化过程.以"真实电影"运动为出发点,探寻自己的电影创作之路,是真实美学与虚构美学的结合.
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| Veröffentlicht in: | 艺术科技 2017, Vol.30 (12), p.139 |
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| container_title | 艺术科技 |
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| description | 导演的创作过程就是其对电影主题的个体"心象"的转化过程.以"真实电影"运动为出发点,探寻自己的电影创作之路,是真实美学与虚构美学的结合. |
| doi_str_mv | 10.3969/j.issn.1004-9436.2017.12.111 |
| format | Article |
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| fulltext | fulltext |
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| ispartof | 艺术科技, 2017, Vol.30 (12), p.139 |
| issn | 1004-9436 |
| language | chi |
| recordid | cdi_wanfang_journals_yskj201712111 |
| source | 国家哲学社会科学学术期刊数据库 (National Social Sciences Database) |
| title | "电影的朝圣" ——解读电影《冈仁波齐》的心理图景 |
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