Tracking selective attention in a musical cocktail
The cocktail party effect refers to mankind’s ability to focus attention on a single sound within noisy or complex auditory environments, in order to extract the most behaviourally-relevant information present. To investigate this cognitive phenomenon in a precise manner, we used frequency-tagging t...
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Format: | Dissertation |
Sprache: | eng |
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Zusammenfassung: | The cocktail party effect refers to mankind’s ability to focus attention on a single sound within noisy or complex auditory environments, in order to extract the most behaviourally-relevant information present. To investigate this cognitive phenomenon in a precise manner, we used frequency-tagging to separate neural auditory steady-state responses (ASSRs), which are specific to the driving frequency of each auditory source, from a neural mix elicited by multiple simultaneous stimuli. Although this technique has been utilized before in previous research, results were inconsistent on how the ASSR is influenced by selective attention, with findings based primarily on attention being directed to either ear rather than to sound features. In the current doctoral project, a mixture of melody streams was presented to both ears identically (diotically) as participants directed attention selectively to only one stream while following the development of its pitch contour. Our main aim was to examine if selective attention to the pitch and timing of frequency-tagged musical tones influences the corresponding ASSR. In addition, bottom-up attention towards musical tones was also manipulated with salient changes in pitch. Using magnetoencephalography (MEG), we showed that the attentional enhancement of the ASSR can already be observed at general sensor level.
Another goal of this project is to characterize the ASSR in terms of its source distribution, properties, and attentional modulation, during and after auditory stimulation. We also assessed how some of these factors change according to the complexity of the stimulus cocktail by comparing the ASSR when the musical streams simultaneously overlapped with one another and when they were completely separated in time. Distributed source analyses revealed multiple ASSR sources distributed across the frontal, parietal and temporal cortices, with each of these areas modulated to different extents by selective attention. Notably, we uncovered the existence of ASSR attentional modulation outside the temporal lobe, in the bihemispheric frontal, parietal and insular lobes, which has not been previously reported in literature. Our results indicated that the ASSR enhancement from top-down driven attention was strongest at the frontal lobe compared to the temporal and parietal regions, whereas that of bottom-up driven attention was dominant at the right temporal lobe. The ASSR also displayed sensitivity towards individual musicality |
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