THE INVERTED PYRAMID AND ITS (READING) SPACE/PLACE: A COMPARATIVE STUDY OF "LEAVING LAMU" BY LILY MABURA (KENYA), "THE HOMECOMING" BY MILLY JAFTA (NAMIBIA) AND "PORCELAIN" BY HENRIETTA ROSE-INNES (SOUTH AFRICA)

This paper focuses on the narratological aspect of the setting as informed by the distinguishing concepts of “place” and “space” championed by the humanist geographer Tuan (2012, 2001). To explore such aspects, we chose three short stories written by African women writers that keep the African conti...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Ilha do Desterro 2023-01, Vol.76 (1), p.77-90
Hauptverfasser: Nodari, Janice Inés, Stefani, Mônica
Format: Artikel
Sprache:eng ; por
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
Beschreibung
Zusammenfassung:This paper focuses on the narratological aspect of the setting as informed by the distinguishing concepts of “place” and “space” championed by the humanist geographer Tuan (2012, 2001). To explore such aspects, we chose three short stories written by African women writers that keep the African continent as the main setting: “Leaving Lamu”, by Lily Mabura (Kenya); “Porcelain”, by Henrietta Rose-Innes (South Africa), and “Te Homecoming” by Milly Jafa (Namibia). In our close reading and comparison of the short stories, we highlight how the space described becomes a place for the protagonists. We also resort to postcolonial assumptions (Ashcrof et al., 2013) to inform the reader on the idiosyncrasies of a continent, still seen as “exotic” by many, whose subtleties, through the literary practice, become familiar, as they are, above all, humane.
ISSN:0101-4846
2175-8026
2175-8026
DOI:10.5007/2175-8026.2023.e88282