Meaning above (and in) the head: Combinatorial visual morphology from comics and emoji

Compositionality is a primary feature of language, but graphics can also create combinatorial meaning, like with items above faces (e.g., lightbulbs to mean inspiration). We posit that these “upfixes” (i.e., upwards affixes) involve a productive schema enabling both stored and novel face–upfix dyads...

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Veröffentlicht in:Memory & cognition 2022-10, Vol.50 (7), p.1381-1398
Hauptverfasser: Cohn, Neil, Foulsham, Tom
Format: Artikel
Sprache:eng
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Zusammenfassung:Compositionality is a primary feature of language, but graphics can also create combinatorial meaning, like with items above faces (e.g., lightbulbs to mean inspiration). We posit that these “upfixes” (i.e., upwards affixes) involve a productive schema enabling both stored and novel face–upfix dyads. In two experiments, participants viewed either conventional (e.g., lightbulb) or unconventional (e.g., clover-leaves) upfixes with faces which either matched (e.g., lightbulb/smile) or mismatched (e.g., lightbulb/frown). In Experiment 1 , matching dyads sponsored higher comprehensibility ratings and faster response times, modulated by conventionality. In Experiment 2 , event-related brain potentials (ERPs) revealed conventional upfixes, regardless of matching, evoked larger N250s, indicating perceptual expertise, but mismatching and unconventional dyads elicited larger semantic processing costs (N400) than conventional-matching dyads. Yet mismatches evoked a late negativity, suggesting congruent novel dyads remained construable compared with violations. These results support that combinatorial graphics involve a constrained productive schema, similar to the lexicon of language.
ISSN:0090-502X
1532-5946
DOI:10.3758/s13421-022-01294-2