The Opéra-Comique in the Eighteenth and Nineteenth Centuries. (Speculum Musicae, XV)
According to Lorenzo Frassà, editor of The Opéra-Comique in the Eighteenth and Nine teenth Centuries, the idea of a collection of essays dedicated exclusively to the Opéra-Comique originated from the fact that such methodological complexities 'must be incessantly reassessed and reconsidered as...
Gespeichert in:
Veröffentlicht in: | Fontes artis musicae 2012, Vol.59 (1), p.65-67 |
---|---|
1. Verfasser: | |
Format: | Review |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Zusammenfassung: | According to Lorenzo Frassà, editor of The Opéra-Comique in the Eighteenth and Nine teenth Centuries, the idea of a collection of essays dedicated exclusively to the Opéra-Comique originated from the fact that such methodological complexities 'must be incessantly reassessed and reconsidered as new elements continually become apparent' (p. viii). Lacombe narrates the genre's history in its nineteenth-century legislative context. |
---|---|
ISSN: | 0015-6191 2471-156X |