The ‘architecture of colour-form’: Adrian Stokes and Venice

Adrian Stokes (1902–72) — aesthete, critic, painter and poet — is linked to John Ruskin and Walter Pater as one of the greatest aesthetic thinkers in this English empirical tradition. This paper explores his insights on the reciprocity of colour and form in relation to architecture.

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Veröffentlicht in:Arq (London, England) England), 2004-06, Vol.8 (2), p.159-169
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description Adrian Stokes (1902–72) — aesthete, critic, painter and poet — is linked to John Ruskin and Walter Pater as one of the greatest aesthetic thinkers in this English empirical tradition. This paper explores his insights on the reciprocity of colour and form in relation to architecture.
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source Cambridge University Press Journals Complete
subjects Architecture
Color
Colour
Empirical analysis
Fluid flow
Reciprocity
Theory
title The ‘architecture of colour-form’: Adrian Stokes and Venice
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