The ‘architecture of colour-form’: Adrian Stokes and Venice
Adrian Stokes (1902–72) — aesthete, critic, painter and poet — is linked to John Ruskin and Walter Pater as one of the greatest aesthetic thinkers in this English empirical tradition. This paper explores his insights on the reciprocity of colour and form in relation to architecture.
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Veröffentlicht in: | Arq (London, England) England), 2004-06, Vol.8 (2), p.159-169 |
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description | Adrian Stokes (1902–72) — aesthete, critic, painter and poet — is linked to John Ruskin and Walter Pater as one of the greatest aesthetic thinkers in this English empirical tradition. This paper explores his insights on the reciprocity of colour and form in relation to architecture. |
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source | Cambridge University Press Journals Complete |
subjects | Architecture Color Colour Empirical analysis Fluid flow Reciprocity Theory |
title | The ‘architecture of colour-form’: Adrian Stokes and Venice |
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