The ‘architecture of colour-form’: Adrian Stokes and Venice

The ‘architecture of colour-form’: Adrian Stokes and Venice

Adrian Stokes (1902–72) — aesthete, critic, painter and poet — is linked to John Ruskin and Walter Pater as one of the greatest aesthetic thinkers in this English empirical tradition. This paper explores his insights on the reciprocity of colour and form in relation to architecture.

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Veröffentlicht in:Arq (London, England) England), 2004-06, Vol.8 (2), p.159-169
1. Verfasser: Kite, Stephen
Format: Artikel
Sprache:eng
Schlagworte:
Architecture
Color
Colour
Empirical analysis
Fluid flow
Reciprocity
Theory
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Beschreibung
Zusammenfassung:Adrian Stokes (1902–72) — aesthete, critic, painter and poet — is linked to John Ruskin and Walter Pater as one of the greatest aesthetic thinkers in this English empirical tradition. This paper explores his insights on the reciprocity of colour and form in relation to architecture.
ISSN:1359-1355
1474-0516
DOI:10.1017/S1359135504000193