The Egmont Master phenomenon: X-ray fluorescence spectrometric and paper studies for art history research

The aim of the research project “Typology of Dutch Drawing” was to establish an interdisciplinary approach for investigating heterogeneous drawing collections. To define a type common to a group of drawings, we determine elements that are common to them based on style and the use of identical materials. To that end, we investigated about 750 Dutch drawings from the sixteenth century at the Dresden Kupferstich-Kabinett using art historical and scientific methods. In this work, we present a detailed analysis of 30 drawings ascribed to the Egmont Master.