Race and the re-embodied voice in Hollywood film
As linguistic anthropologists and others have argued, the development of modern sound technologies led to the disembodiment of the voice; the resulting ideologies of voice, however, concerned embodiment rather than disembodiment. By contrast, in late-modern media regimes, essentialized voices have b...
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Veröffentlicht in: | Language & communication 2011-07, Vol.31 (3), p.255-265 |
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Format: | Artikel |
Sprache: | eng |
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Zusammenfassung: | As linguistic anthropologists and others have argued, the development of modern sound technologies led to the disembodiment of the voice; the resulting ideologies of voice, however, concerned embodiment rather than disembodiment. By contrast, in late-modern media regimes, essentialized voices have been recontextualized and linguistically re-embodied via crossing and stylization. This article demonstrates that the re-embodiment of voice reasserted naturalized boundaries of gender and race in Hollywood ‘wigger’ films from the mid-1990s to the early 2000s. The ideological effects of such representations both locally and more widely point to the importance of examining mediatized practices and products through a linguistic-anthropological lens. |
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ISSN: | 0271-5309 1873-3395 |
DOI: | 10.1016/j.langcom.2011.02.004 |