'Big Pictures': Insights into Southern African San Rock Paintings of Ostriches
The paintings at Long March Shelter in the Klein Swartberg, Western Cape Province, are 'big' in two senses. They are themselves remarkably large and detailed; but they are also 'big' in terms of the novel insights they offer. Unlike San art in the Drakensberg, where human: antelo...
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Veröffentlicht in: | South African archaeological bulletin 2001-12, Vol.56 (173/174), p.62-75 |
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Format: | Artikel |
Sprache: | eng |
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Zusammenfassung: | The paintings at Long March Shelter in the Klein Swartberg, Western Cape Province, are 'big' in two senses. They are themselves remarkably large and detailed; but they are also 'big' in terms of the novel insights they offer. Unlike San art in the Drakensberg, where human: antelope combinations are the most common conflation, the Long March artists based their visual metaphors of fused, human: animal spirit power upon a species from a quite different taxon--the ostrich. The Long March paintings also draw on other uncommon metaphors and symbols that are identified and discussed here for the first time. |
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ISSN: | 0038-1969 |
DOI: | 10.2307/3889029 |