Constructing culture: The realm of sign systems and beyond
A review of Roy Harris's Signs of Writing (New York: Routledge, 1995) commends the work for highlighting & elaborating the implications of an approach to sign systems as inextricable from communication & cultural adaptation. Haarmann's work along this line is summarized with focus...
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Veröffentlicht in: | Semiotica 2000, Vol.132 (3-4), p.343-371 |
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Format: | Artikel |
Sprache: | eng |
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Zusammenfassung: | A review of Roy Harris's Signs of Writing (New York: Routledge, 1995) commends the work for highlighting & elaborating the implications of an approach to sign systems as inextricable from communication & cultural adaptation. Haarmann's work along this line is summarized with focus on (1) parameters for a typology of sign systems within a cultural framework, (2) underlying principles of notational systems that account for the effectiveness of systems such as the Inca khipu that escape Harris's simple notation/script opposition, (3) Haarmann's (1997) typology of writing systems, (4) a characterization of German & Japanese orthography as orderly chaos in the context of normative control, & (5) the aesthetics & synesthetics of sign systems; Harris's integrational theory of notation is confronted with problems of syncretism of nonalphabetic writing systems & alphabetic systems used for numeric &/or musical notation. 2 Tables, 6 Figures, 46 References. J. Hitchcock |
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ISSN: | 0037-1998 1613-3692 |