Making Sense: The MIX House

In an effort to challenge the dominance of vision over the other senses in architectural experience, Joel Sanders and Karen Van Lengen infuse a speculative domestic environment with digital audio technology. Their design capitalises on the augmentation of aural–visual boundaries via technological in...

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Veröffentlicht in:	Architectural design 2008-05, Vol.78 (3), p.16-19
Hauptverfasser:	Sanders, Joel, Van Lengen, Karen
Format:	Artikel
Sprache:	eng
Schlagworte:	acoustic qualities acoustical glare aural-ocular design strategy Ben Rubin BlackBerries BlackBerries, iPods and iPhones Chartres curved profile Emily Thompson Farnsworth House impromptu original domestic soundscapes iPods and iPhones Le Corbusier and Mies van de Rohe Le Thoronet Leon Battista Alberti and Andrea Palladio microphone Mix Counter in the kitchen ocular-centric design culture small video camera sonic specificity sonic windows transparent parabolic dish two sound-gathering volumes outfitted with three audio-visual windows
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Beschreibung
Zusammenfassung:	In an effort to challenge the dominance of vision over the other senses in architectural experience, Joel Sanders and Karen Van Lengen infuse a speculative domestic environment with digital audio technology. Their design capitalises on the augmentation of aural–visual boundaries via technological interventions, ultimately recasting the house from a private and insulated environment to that of a hybridised interactive site. Copyright © 2008 John Wiley & Sons, Ltd.
ISSN:	0003-8504 1554-2769
DOI:	10.1002/ad.668