GEMS OF GERMAN CRITICISM
THE elder Bach, (says Zelter, in a letter of the 8th of April, 1827) is, with all his originality, a son of his country and of his own times, and yet he could not escape from the influence of the French-that is to say, of Couperin.* The endeavour to make oneself as agreeable as others, gives rise to...
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| Veröffentlicht in: | The Musical world 1836-04, Vol.1 (7), p.106-108 |
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| Format: | Artikel |
| Sprache: | eng |
| Online-Zugang: | Volltext |
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| Zusammenfassung: | THE elder Bach, (says Zelter, in a letter of the 8th of April, 1827) is, with all his originality, a son of his country and of his own times, and yet he could not escape from the influence of the French-that is to say, of Couperin.* The endeavour to make oneself as agreeable as others, gives rise to that which does not last. All that is foreign to him, however, we can take away like a thick scum, and the bright liquid lies immediately below it. |
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| ISSN: | 2043-4901 |