Analytical study of proteinaceous binding media in works of art by gas chromatography using alkyl chloroformates as derivatising agents

In this work, we present the results obtained in an analytical study of the different types of proteinaceous binding media most commonly used in paintings, using GC-FID as the technique of analysis and GC-MS as a confirmatory technique. The application of this methodology requires prior hydrolysis o...

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Veröffentlicht in:Talanta (Oxford) 2002-01, Vol.56 (1), p.71-77
Hauptverfasser: Gimeno-Adelantado, J.V, Mateo-Castro, R, Doménech-Carbó, M.T, Bosch-Reig, F, Doménech-Carbó, A, De la Cruz-Cañizares, J, Casas-Catalán, M.J
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Sprache:eng
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Zusammenfassung:In this work, we present the results obtained in an analytical study of the different types of proteinaceous binding media most commonly used in paintings, using GC-FID as the technique of analysis and GC-MS as a confirmatory technique. The application of this methodology requires prior hydrolysis of the proteins in the binding media to obtain free amino acids and then volatile derivatives, in this case by reaction with chloroformates due to advantages of speed, safety and the aqueous medium in which the reaction occurs. The method proposed for the proteinaceous binding media study is to calculate the proportions of the different amino acids with respect to alanine. This method provided good characterisation of different binding media, such as pork gelatine, beef gelatine, albumin, egg white and casein. The proposed method is used for the identification of binding media (including mixtures of binders) present in real samples from paintings in the city of Valencia, Spain.
ISSN:0039-9140
1873-3573
DOI:10.1016/S0039-9140(01)00538-0