The Problem of Mythic Imperialism
Imperial aspects of United States exports of media materials are described, & two films that are typical of what has been called a 'beneficent' media invasion are analyzed in detail. In order to show their conformity to the plot of the 'American monomyth,' schematic versions...
Gespeichert in:
Veröffentlicht in: | Journal of American Culture 1979-07, Vol.2 (2), p.309-320 |
---|---|
Hauptverfasser: | , |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Zusammenfassung: | Imperial aspects of United States exports of media materials are described, & two films that are typical of what has been called a 'beneficent' media invasion are analyzed in detail. In order to show their conformity to the plot of the 'American monomyth,' schematic versions of this & the classical monomyth are provided, the former being a redemption tale in which an innocent community, powerless in the face of evil, is saved by an outsider figure. The macho-redemption version of this monomyth is embodied in Star Wars, which contains substantial elements of antidemocratic irrationalism. A nonviolent version of the monomyth is visible in Close Encounters of the Third Kind, which features an everyman figure who is taken up into a spaceship, presumably to be trained for the task of world redemption. These & other typical episodes raise the question of the impact of exporting celebrations of public relinquishment of superpowers to redeemer figures operating outside of democratic systems. AA. |
---|---|
ISSN: | 0191-1813 1542-734X |
DOI: | 10.1111/j.1542-734X.1979.0202_309.x |