The Occupation (and Life) through an Absurdist Lens: An Interview with Elia Suleiman
Suleiman, the first Palestinian filmmaker to be selected to participate in the Cannes International Film Festival for Divine Intervention: A Chronicle of Love and Pain, discusses violence, fantasy, & politics as they relate to his work. He shares insights into how he became a filmmaker & how...
Gespeichert in:
Veröffentlicht in: | Journal of Palestine studies 2003-01, Vol.32 (2), p.63-73 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Zusammenfassung: | Suleiman, the first Palestinian filmmaker to be selected to participate in the Cannes International Film Festival for Divine Intervention: A Chronicle of Love and Pain, discusses violence, fantasy, & politics as they relate to his work. He shares insights into how he became a filmmaker & how the Israeli-Palestinian conflict has affected his work. I. Sharp |
---|---|
ISSN: | 0377-919X |