Gender, Migrancy, and South African Popular Music in the Late 1940s and the 1950s

Ballantine tells a story about South African popular music. He sketches striking developments in the performance of popular music during the 1950s, attempts to understand these as inseparable from a broad socio-political history, and presents the evidence of the music itself.

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Bibliographische Detailangaben
Veröffentlicht in:	Ethnomusicology 2000-10, Vol.44 (3), p.376-407
1. Verfasser:	Ballantine, Christopher
Format:	Artikel
Sprache:	eng
Schlagworte:	Brothers Cognitive problems, arts and sciences, folk traditions, folklore Drums Ethnology Ethnomusicology Gender Gender relations History of music Labour migration Makeba, Miriam Masculinity Men Migration Music Musical criticism Musical performances Musicology Politics Popular music Religious songs Sexism Singers Song lyrics Songs, folk songs South Africa Towns Womens songs
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Beschreibung
Zusammenfassung:	Ballantine tells a story about South African popular music. He sketches striking developments in the performance of popular music during the 1950s, attempts to understand these as inseparable from a broad socio-political history, and presents the evidence of the music itself.
ISSN:	0014-1836 2156-7417
DOI:	10.2307/852491