Creating Cultural Prestige: Editorial Joaquin Mortiz

For the past thirty years, the imprint “Editorial Joaquín Mortiz” has stood for innovation, quality, and prestige in Mexican literature. After it was founded in 1962, Joaquín Mortiz quickly emerged as the premier literary publisher in Mexico and has provided readers with many of the novels and short...

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Veröffentlicht in:Latin American research review 1996-01, Vol.31 (2), p.3-41
1. Verfasser: Anderson, Danny J.
Format: Artikel
Sprache:eng
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Zusammenfassung:For the past thirty years, the imprint “Editorial Joaquín Mortiz” has stood for innovation, quality, and prestige in Mexican literature. After it was founded in 1962, Joaquín Mortiz quickly emerged as the premier literary publisher in Mexico and has provided readers with many of the novels and short stories now recognized as landmarks defining the contemporary canon of Mexican fiction. Most studies of Mexican narrative of the 1960s have tended to emphasize the dichotomy between the elitist self-conscious experimentation of escritura writing and the irreverent youthful exuberance of onda writing. Shifting the focus from texts to publishers, however, reveals a different configuration. Editorial Joaquín Mortiz actually encouraged both these trends by cultivating the work of escritura authors such as Salvador Elizondo, Juan García Ponce, and José Emilio Pacheco along with those of onda authors like Gustavo Sainz and José Agustín. Moreover, during its first two years, Joaquín Mortiz staked much of its early reputation on promoting two Mexican novels now fundamental to women's writing throughout Latin America: Oficio de tinieblas (1962) by Rosario Castellanos and Los recuerdos del porvenir (1963) by Elena Garro. Thus Editorial Joaquín Mortiz has greatly influenced the development of contemporary Mexican narrative.
ISSN:0023-8791
1542-4278
DOI:10.1017/S0023879100017933