The Architecture of Documentary Filmmaking: AN INTERVIEW WITH AMOS GITAI

The Architecture of Documentary Filmmaking: AN INTERVIEW WITH AMOS GITAI

Gitai's films have almost always been controversial in Israel - even before House, Political Myth (1977). a warning about personality cults past and present, was commissioned and then banned by Israeli TV; Field Diary, produced in France and widely screened on European TV, was never broadcast i...

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Veröffentlicht in:Cinéaste (New York, N.Y.) N.Y.), 1990-01, Vol.17 (3), p.48-50
Hauptverfasser: GITAI, AMOS, Rosen, Miriam
Format: Magazinearticle
Sprache:eng
Schlagworte:
Allen, Woody
Architecture
Buildings
Documentary films
Documentary television programs
Film criticism
Houses
INDEPENDENTS
Jewish peoples
Motion picture industry
Motion pictures
Movies
Nonfiction
Television interviews
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Zusammenfassung:Gitai's films have almost always been controversial in Israel - even before House, Political Myth (1977). a warning about personality cults past and present, was commissioned and then banned by Israeli TV; Field Diary, produced in France and widely screened on European TV, was never broadcast in Israel; and Esther came under immediate attack as a distortion of the Bible because most people had never read the entire text-and this notoriety has undoubtedly distorted the perception of his work as a whole.
ISSN:0009-7004