For the Love of Mars

Since at least Dante, the poetic vision of destiny in the West has bound up together love and the heavens. In this sense our highest poetry worked to reconcile and harmonize the personal at its most intimate and the natural at its most cosmic — in Dante’s case, through the Divine. That sort of poetr...

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Veröffentlicht in:New Atlantis (Washington, D.C.) D.C.), 2018-04 (55), p.43-60
1. Verfasser: Poulos, James
Format: Artikel
Sprache:eng
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Zusammenfassung:Since at least Dante, the poetic vision of destiny in the West has bound up together love and the heavens. In this sense our highest poetry worked to reconcile and harmonize the personal at its most intimate and the natural at its most cosmic — in Dante’s case, through the Divine. That sort of poetry could be described as a practice of the art of humanism, properly understood. Yet strangely, despite remarkable leaps forward in spacefaring technology that promise to unite the personal and the cosmic in an epochal way, today’s Western vision of destiny has become fractured and contested. It is no longer accepted belief that poetry, divinity, destiny, and the personal love of being human are all constituent parts of a harmonious experience of being.This problem — and it is a problem — is encapsulated in the uncertain place of Mars in the human conversation today. That conversation is dominated by matters of politics, science, and economics. Though it is obvious that these things should play a role in how people wrestle anew with the age-old question of our relation to Mars, something is badly and historically amiss in the absence of love, humanism, and poetry from these conversations. It is no excuse that ours is a time of fantastically powerful governments and technologists, one in which money, moreover, threatens to become the measure of all things. If the public imagination regarding Mars has been dimmed in the West, it is on account of our failing memory of the ancient role of the cosmic in practicing the art of humanism, and the failure of our poets to access and rehearse that role anew, amid conditions that ought to be recognized as hugely favorable.The difficulty is not just one of disenchantment, although a disenchanted and unpoetic view of Mars will pose great difficulties. The disenchantment of Mars signals a deeper and broader disconnect with, and alienation from, the humanist wellspring of poetry: the love of being human. The antihumanism welling up in today’s utopian and dystopian visions of technological destiny not only pulls our view down from Mars, the cosmos, and the heavens; it turns our view against ourselves. Our technological destiny shifts from one in which human life radiates outward from Earth to one wherein humanity is so rotten that our future must cease to be human at all, whether by becoming subhuman or superhuman.
ISSN:1543-1215
1555-5569