Faux Goya, vrais Cantarini
Two paintings erroneously attributed to Francisco Goya (1746-1828) are identified as the work of Simone Cantarini (1612-1648). Reasons for the conclusion are explained, including the choice of wood as a support, preparatory drawings, iconography, and provenance.
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| Veröffentlicht in: | Revue de l'art 2017-02, Vol.N° 196 (2), p.69-73 |
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| Format: | Magazinearticle |
| Sprache: | fre |
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| container_end_page | 73 |
|---|---|
| container_issue | 2 |
| container_start_page | 69 |
| container_title | Revue de l'art |
| container_volume | N° 196 |
| creator | Jiméno, Frédéric |
| description | Two paintings erroneously attributed to Francisco Goya (1746-1828) are identified as the work of Simone Cantarini (1612-1648). Reasons for the conclusion are explained, including the choice of wood as a support, preparatory drawings, iconography, and provenance. |
| doi_str_mv | 10.3917/rda.196.0069 |
| format | Magazinearticle |
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| ispartof | Revue de l'art, 2017-02, Vol.N° 196 (2), p.69-73 |
| issn | 0035-1326 |
| language | fre |
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| source | Cairn.info Free Access Journals-Revues en accès libre |
| title | Faux Goya, vrais Cantarini |
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