Posthandover Hong Kong Cinema: Interviews with Stanley Kwan, Herman Yau, and Gordon Chan

On the Edge An Interview with Herman Yau Cineaste: From The Untold Story and Taxi Hunter [both 1993] to your latest film The Sleep Curse [2017], your body of work has been closely identified with Category III filmmaking. Since such exploitation cinema is anathema to the China coproduction model, you...

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Veröffentlicht in:	Cinéaste (New York, N.Y.) N.Y.), 2017-09, Vol.42 (4), p.28-31
Hauptverfasser:	Kwan, Stanley, Yau, Herman, Chan, Gordon, Bettinson, Gary
Format:	Magazinearticle
Sprache:	eng
Schlagworte:	Analysis Beliefs, opinions and attitudes Censorship Chan, Gordon Chinese Cultural identity Democracy Filmmakers Gays & lesbians History Hong Kong movies INTERVIEWS Kwan, Stanley Motion picture directors & producers Motion picture industry Motion pictures, Hong Kong Movie directors Political aspects Politics Sleep Traditions Yau, Herman
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Zusammenfassung:	On the Edge An Interview with Herman Yau Cineaste: From The Untold Story and Taxi Hunter [both 1993] to your latest film The Sleep Curse [2017], your body of work has been closely identified with Category III filmmaking. Since such exploitation cinema is anathema to the China coproduction model, you have been hailed in some quarters as a stalwart of local filmmaking. [...]I think I was one of the first Hong Kong filmmakers to make films in the Chinese mainland. First of all, when we say that the character or the identity of Hong Kong cinema is being lost, what are we talking about? [...]how do you define the death of Hong Kong cinema?
ISSN:	0009-7004 2641-9238