"Bihaedang's poetry scroll of the eight views of the Xiao and Xiang rivers" and its relationship to "Eight views of the Xiao and Xiang rivers" from the former Yugensai collection in Japan

"Bihaedang's poetry scroll of the eight views of the Xiao and Xiang rivers" and its relationship to "Eight views of the Xiao and Xiang rivers" from the former Yugensai collection in Japan

The theme of the Eight views of the Xiao and Xiang rivers is believed to have first been painted by Song Di (ca. 10151080) of the Northern Song dynasty (9601127). Over time, the Eight views of the Xiao and Xiang rivers became one of the most frequently represented subjects in East Asian landscape pa...

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Veröffentlicht in:The international journal of Korean art and archaeology 2016-01, Vol.10, p.120-136
Hauptverfasser: Park, Haehoon, Seo, Yoonjung [tr.]
Format: Artikel
Sprache:eng
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Zusammenfassung:The theme of the Eight views of the Xiao and Xiang rivers is believed to have first been painted by Song Di (ca. 10151080) of the Northern Song dynasty (9601127). Over time, the Eight views of the Xiao and Xiang rivers became one of the most frequently represented subjects in East Asian landscape painting. Many Korean literati have explored this theme in both poetry and painting since it was first
ISSN:2005-1115