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An overview of the critical history of a portrait by Titian in the Pinacoteca Ambrosiana attempts to identify the sitter – long and authoritatively considered to be the father of the painter – as the Milanese condottiero Gian Giacomo Medici. Some brief observations on the relationship between the ar...
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Veröffentlicht in: | Prospettiva 2015-01 (157/158), p.122-131 |
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Format: | Artikel |
Sprache: | ita |
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Online-Zugang: | Volltext |
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Zusammenfassung: | An overview of the critical history of a portrait by Titian in the Pinacoteca Ambrosiana attempts to identify the sitter – long and authoritatively considered to be the father of the painter – as the Milanese condottiero Gian Giacomo Medici. Some brief observations on the relationship between the artist and the city of Milan accompany the proposal. |
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ISSN: | 0394-0802 2239-7205 |