Reproducing "il primo quadro del mondo" : Fedor Iordan's engraving of Raphael's "Transfiguration," 1835-1850
Fedor Iordan (1800-1883) spent more than 20 years in Europe studying printmaking as a pensioner of the Russian Imperial Academy of Arts: first in Paris, then in London, and finally, from 1835 in Rome, where he embarked on his monumental engraving of Raphael's "Transfiguration." Scruti...
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Veröffentlicht in: | Kunsttexte.de 2016-01 (3) |
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Format: | Artikel |
Sprache: | eng |
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Zusammenfassung: | Fedor Iordan (1800-1883) spent more than 20 years in Europe studying printmaking as a pensioner of the Russian Imperial Academy of Arts: first in Paris, then in London, and finally, from 1835 in Rome, where he embarked on his monumental engraving of Raphael's "Transfiguration." Scrutinizing the production and reception of this print--which took 15 years to complete and afforded the artist an opportunity to remain in Italy--this essay reconsiders Iordan's work within the wider context of international printmaking and, within the emerging debates about Russia's position in transnational artistic developments and its national distinctiveness. [Publication Abstract] |
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ISSN: | 1618-8101 1618-8101 |