Experimental examination of vortex-sound generation in an organ pipe: A proposal of jet vortex-layer formation model

Aero-dynamical models of sound generation in an organ pipe driven by a thin jet are investigated through an experimental examination of the vortex-sound theory. An important measurement requirement (acoustic cross-flow as an irrotational potential flow reciprocating sinusoidally) from the vortex-sound theory is carefully realized when the pipe is driven with low blowing pressures of about 60Pa (jet velocities of about 10m/s). Particle image velocimetry (PIV) is applied to measure the jet velocity and the acoustic cross-flow velocity over the mouth area at the same phase by quickly switching the jet drive and the loudspeaker-horn drive. The vorticity of the jet flow field and the associated acoustic generation term are evaluated from the measurement data. It is recognized that the model of the “jet vortex-layer formation” is more relevant to the sound production than the vortex-shedding model. The acoustic power is dominantly generated by the flow–acoustic interaction near the edge, where the acoustic cross-flow velocity takes larger magnitudes. The acoustic generation formula on the vortex sound cannot deny the conventional acoustical volume-flow model because of the in-phase relation satisfied between the acoustic pressure at the mouth and the acoustic volume flow into the pipe. The vortex layers formed along both sides of the jet act as the source of an accelerating force (through the “acceleration unbalance”) with periodically alternating direction to oscillate the jet flow and to reinforce the acoustic cross-flow at the pipe mouth. ► The vortex-sound theory is examined by applying PIV to sound generation in an organ pipe. ► The jet vortex-layer formation model is more relevant than the vortex-shedding model. ► The vortex layers act as the source of an accelerating force to reinforce the acoustic pipe flow. ► The vortex-sound power shows double-peak structure within a period. ► This new model will provide a united viewpoint for the edge-tone and pipe-tone generations.