Crude Aesthetics: The Politics of Oil Documentaries

How does the problem of oil appear in documentary film? I provide an answer to this question by examining the narrative and aesthetic choices through which the problem of oil is framed in three recent “feature” documentaries: Basil Gelpke and Ray McCormack's A Crude Awakening (2006), Joe Berlinger’s Crude: The Real Price of Oil (2009), and Shannon Walsh's H2Oil (2009). My aim is to understand not only the specific politics enacted through the formal and aesthetic choices made in each film, but to map out what these documentaries tell us about the social life of oil today, and the capacity for films such as these to meaningfully intervene in the looming consequences of our dependence on oil. The essay proceeds in three parts. First, by offering readings of the discursive, narrative and aesthetic strategies of these documentaries, I draw out the ways in which each comes to understand the problem of oil. In the second part, I identify the key insights that these films offer regarding the specific social contradictions and political blockages that emerge from their attempt to name and understand oil. Finally, I conclude with an exploration of the insights these films provide for addressing the antinomies that define and separate the anticapitalist and environmental movements.