‘P.S.’: THE DANGEROUS LOGIC OF THE POSTSCRIPT IN EIGHTEENTH-CENTURY LITERATURE
This article examinespostscriptsboth as a feature ofeighteenth-century lettersand as a literary device. Although postscripts could be used for entirely banal purposes such as sending regards or expressing thanks for a gift, their fictional usage was governed by a more specialized set of conventions....
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Veröffentlicht in: | The Modern language review 2014-01, Vol.109 (1), p.35-53 |
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description | This article examinespostscriptsboth as a feature ofeighteenth-century lettersand as a literary device. Although postscripts could be used for entirely banal purposes such as sending regards or expressing thanks for a gift, their fictional usage was governed by a more specialized set of conventions. The main contention of this article is that the temporal lag between a letter and its postscript allowed novelists such asRichardsonto explore new ways of manipulatingnarrative time. HenryFielding's spoof novella
Shamela
, with its numerous postscripts, can be seen as an ironic reflection on that aspect of Richardson's novelistic practice. |
doi_str_mv | 10.5699/modelangrevi.109.1.0035 |
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Shamela
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Shamela
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Shamela
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subjects | Analysis Compliments English literature Fielding, Henry (1707-1754) Immediacy Letter writing Letters Literary criticism Literature Logic Love letters Love relationships Narratives Novels Signatures Soul Written correspondence |
title | ‘P.S.’: THE DANGEROUS LOGIC OF THE POSTSCRIPT IN EIGHTEENTH-CENTURY LITERATURE |
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