Jean Mohr: photography on the world’s edge

Jean Mohr: photography on the world’s edge

The work of Jean Mohr, the photographer who has often collaborated with John Berger on projects covering migrancy, refuge, displacement, subaltern classes (and their passing) and on Palestine (with Edward Said), is celebrated here. The author argues that the nature and role of photography is rethoug...

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Veröffentlicht in:Race & class 2014-01, Vol.55 (3), p.79-85
1. Verfasser: Hudson, Martyn
Format: Artikel
Sprache:eng
Schlagworte:
Analysis
Berger, John
Cooperation
Criticism and interpretation
Displaced persons
Emigration
Emigration and immigration
Migration
Mohr, Jean
Palestine
Palestinian Authority
Peasantry
Photographers
Photography
Portrayals
Refugees
Social classes
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Zusammenfassung:The work of Jean Mohr, the photographer who has often collaborated with John Berger on projects covering migrancy, refuge, displacement, subaltern classes (and their passing) and on Palestine (with Edward Said), is celebrated here. The author argues that the nature and role of photography is rethought by Mohr, as his photographic work, which is integral to the text, transcends time and place to suggest a universality.
ISSN:0306-3968
1741-3125
DOI:10.1177/0306396813509187