'You Can Touch But Do Not Read': The 'Future-Rustic' Work of Kathryn Findlay

‘By turns curvaceous, fluffy, leafy, green, soft and hairy’, the work of Kathryn Findlay is palpably ‘future‐rustic’ in all its formal and material manifestations. Guest‐editor Mark Titman explains how Findlay's designs also more subtly respond ‘to the richness of a given situation, the resourc...

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Veröffentlicht in:	Architectural design 2013-05, Vol.83 (3), p.32-39
1. Verfasser:	Titman, Mark
Format:	Artikel
Sprache:	eng
Schlagworte:	Arata Isozaki Architecture Arts and Culture Proposal Cecil Balmond digi-thatch Doha Art Foundation and Official Residence Eisaku Ushida Elia Zenghelis Farms future-rustic Gorbals Police Station in Glasgow Grafton New Hall Japan Jun'ichirō Tanizaki's 'In Praise of Shadows' Kasahara Culture and Amenity Hall London Michael Williams and Lesley McIntire Michael Williams and Lesley McIntire, The Hill, Arts and Culture Proposal, London Peter Cook Poolhouse 1 Poolhouse 2 Rural Salvador Dalí Soft and Hairy House The Hill Tokyo Touch Truss Wall House Truss Wall House, Tokyo, Japan Ushida Findlay Architects Ushida Findlay Architects, Soft and Hairy House, Tokyo, Japan Wabi-Sabi
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Beschreibung
Zusammenfassung:	‘By turns curvaceous, fluffy, leafy, green, soft and hairy’, the work of Kathryn Findlay is palpably ‘future‐rustic’ in all its formal and material manifestations. Guest‐editor Mark Titman explains how Findlay's designs also more subtly respond ‘to the richness of a given situation, the resources and natural conditions that each site and its surrounding context reveals’, coming out of an approach that has been equally influenced by her rural childhood on a farm in Scotland as almost two decades of working in Japan.
ISSN:	0003-8504 1554-2769
DOI:	10.1002/ad.1587