Rupture and Continuity in Feminist Re-performance
Looking back at their re-creation of 1960s and 70s feminist works for the 2012 festival ‘Pacific Standard Time’, artists Audrey Chan, Alexandra Grant and Elana Mann discuss the value of re-performance as a means of producing an embodied relationship with the past.
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| Veröffentlicht in: | Afterall 2013-06, Vol.33 (1), p.38-45 |
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| container_end_page | 45 |
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| container_issue | 1 |
| container_start_page | 38 |
| container_title | Afterall |
| container_volume | 33 |
| creator | Chan, Audrey Grant, Alexandra Mann, Elana |
| description | Looking back at their re-creation of 1960s and 70s feminist works for the 2012 festival ‘Pacific Standard Time’, artists Audrey Chan, Alexandra Grant and Elana Mann discuss the value of re-performance as a means of producing an embodied relationship with the past. |
| doi_str_mv | 10.1086/672018 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 1465-4253 |
| ispartof | Afterall, 2013-06, Vol.33 (1), p.38-45 |
| issn | 1465-4253 2156-4914 |
| language | eng |
| recordid | cdi_proquest_miscellaneous_1467632544 |
| source | Jstor Complete Legacy; ARTbibliographies Modern |
| subjects | African art Art exhibitions Artists Arts organizations Creation myths Feminism Legacies Modern art Modernist art Rape |
| title | Rupture and Continuity in Feminist Re-performance |
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