Rupture and Continuity in Feminist Re-performance

Rupture and Continuity in Feminist Re-performance

Looking back at their re-creation of 1960s and 70s feminist works for the 2012 festival ‘Pacific Standard Time’, artists Audrey Chan, Alexandra Grant and Elana Mann discuss the value of re-performance as a means of producing an embodied relationship with the past.

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Bibliographische Detailangaben
Veröffentlicht in:Afterall 2013-06, Vol.33 (1), p.38-45
Hauptverfasser: Chan, Audrey, Grant, Alexandra, Mann, Elana
Format: Artikel
Sprache:eng
Schlagworte:
African art
Art exhibitions
Artists
Arts organizations
Creation myths
Feminism
Legacies
Modern art
Modernist art
Rape
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Beschreibung
Zusammenfassung:Looking back at their re-creation of 1960s and 70s feminist works for the 2012 festival ‘Pacific Standard Time’, artists Audrey Chan, Alexandra Grant and Elana Mann discuss the value of re-performance as a means of producing an embodied relationship with the past.
ISSN:1465-4253
2156-4914
DOI:10.1086/672018