‘STRUGGLING BUT FAILING TO MASK’: THE MUSIC OF MARK R. TAYLOR

The music of Mark R. Taylor (b. 1961) is as yet little known. In part, this derives from his unusual profile in the current musical scene. The initial characterization of his work given in this article takes his own remarks from a note inscribed at the end of a piano fragment from the mid-1990s as a framework. From his earliest compositions onwards, the handling of musical materials has depended on strictly controlled processes that are conveyed through a notable ‘simplicity of presentation’. This gives the work a semblance of postmodernism; but Taylor distances himself from the allusiveness, playfulness and irony of this movement, preferring to recognize a ‘personal expressivity’ characteristic of ‘the better kind of postmodernism’. These opposing tendencies to objectivity on the one hand and to expressivity on the other are components of a dialectical musical expression in which the music is ‘struggling but failing to mask profound inner turmoil’.