Working-Class Hero: Michael Moore's Authorial Voice and Persona

Spence looks at Michael Moore's persona the aggrieved, aggressive maverick, the know-it-all who knows nothing and explores the idea of authorial voice and persona in nonfiction filmmaking. He also analyzes the contradictions in Moore's persona in the 1989 film, Roger and Me and how they fu...

Ausführliche Beschreibung

Gespeichert in:

Bibliographische Detailangaben
Veröffentlicht in:	Journal of popular culture 2010-04, Vol.43 (2), p.368-380
1. Verfasser:	SPENCE, LOUISE
Format:	Artikel
Sprache:	eng
Schlagworte:	America Authorial voice Authority Cognitive problems, arts and sciences, folk traditions, folklore Corporate culture Delinquency Documentation Ethnology Film makers Moore, Michael Moore, Michael (filmmaker) Motion picture criticism Motion picture directors & producers Motion pictures Nonfiction Paternalism Performances, theater, carnival Social relations. Intercultural and interethnic relations. Collective identity Social structure and social relations U.S.A Unemployed Unemployment Working class
Online-Zugang:	Volltext
Tags:	Tag hinzufügen Keine Tags, Fügen Sie den ersten Tag hinzu!

Beschreibung
Zusammenfassung:	Spence looks at Michael Moore's persona the aggrieved, aggressive maverick, the know-it-all who knows nothing and explores the idea of authorial voice and persona in nonfiction filmmaking. He also analyzes the contradictions in Moore's persona in the 1989 film, Roger and Me and how they function as nonfictional representation and compares with those of Tony Buba's persona in Lightning Over Braddock: A Rust Bowl Fantasy, a film released the year before Roger and Me.
ISSN:	0022-3840 1540-5931
DOI:	10.1111/j.1540-5931.2010.00746.x