Italian cinema and the ‘anni di piombo’
This essay provides an introduction to the representation and working through in Italian cinema of the experience of terrorism during the ‘leaden years’ (anni di piombo, 1969—c. 1983). It begins by discussing the key terms ‘terrorism’ and ‘anni di piombo’ themselves before providing a short history...
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Veröffentlicht in: | Journal of European studies 2010-09, Vol.40 (3), p.243-257 |
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Format: | Artikel |
Sprache: | eng |
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Zusammenfassung: | This essay provides an introduction to the representation and working through in Italian cinema of the experience of terrorism during the ‘leaden years’ (anni di piombo, 1969—c. 1983). It begins by discussing the key terms ‘terrorism’ and ‘anni di piombo’ themselves before providing a short history of the different terrorisms in Italy during the long 1970s. The remainder of the essay is given over to a discussion of the key films, genres and modes that have dealt with the events or memories of that terrorism. Genres include the cop film, Italian-style comedy and auteurist films. Key titles include Cadaveri eccellenti (Illustrious Corpses, dir. Francesco Rosi, 1976), Colpire al cuore (A Blow to the Heart, dir. Gianni Amelio, 1982), La seconda volta (The Second Time, dir. Mimmo Calopresti, 1995), and Buongiorno, notte (Good Morning, Night, dir. Marco Bellocchio, 2003). |
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ISSN: | 0047-2441 1740-2379 |
DOI: | 10.1177/0047244110371912 |