Stéréotypes harmoniques de la musique baroque
The paradox of Baroque music is that, while it is seemingly dominated by formulaic restrictions and structure, those rules allowed composers to take great rhapsodic liberties. Music analysts must take care not to generalize all Baroque music as harmonically homogenous; although common progression te...
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| Veröffentlicht in: | Acta musicologica 1996-01, Vol.68 (1), p.12-22 |
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| container_title | Acta musicologica |
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| creator | Fichet, Laurent |
| description | The paradox of Baroque music is that, while it is seemingly dominated by formulaic restrictions and structure, those rules allowed composers to take great rhapsodic liberties. Music analysts must take care not to generalize all Baroque music as harmonically homogenous; although common progression techniques included circles of fifths and melismatic sequences, their perceived prevalence should not diminish their musical usefulness. |
| doi_str_mv | 10.2307/932678 |
| format | Article |
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Music analysts must take care not to generalize all Baroque music as harmonically homogenous; although common progression techniques included circles of fifths and melismatic sequences, their perceived prevalence should not diminish their musical usefulness.</description><subject>Baroque music</subject><subject>Chord Progressions</subject><subject>Compositional Techniques</subject><subject>Cycle of Fifths</subject><subject>Harmony</subject><subject>Melismas</subject><subject>Music history</subject><subject>Music Theory</subject><subject>Musicology</subject><subject>Sequences</subject><issn>0001-6241</issn><issn>2296-4339</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1996</creationdate><recordtype>article</recordtype><recordid>eNotUEtOwzAUtBCVCC1cgazYhT6_50-8RBU_qRILurecxBGtmibYyaJH6jl6MVLCaj4azUjD2D2HJyTQS0OodH7FEkSjMkFkrlkCADxTKPgNu41xB4AkuU7Y8qs_n8L51PbHzsf024WmPWx_hpFXPt27tBniRaaFC-2ICzar3T76u3-cs83ry2b1nq0_3z5Wz-uslFJlHIoSeA2GkxZAXHkpkKPOjQfnoSCpsc6VrKWuRg9F7gqDgFo7LQtT0Zw9TLXd32rs7a4dwmFctIaEkGpMPE6JMrQxBl_bLmwbF46Wg738YKcf6Bc1GE4w</recordid><startdate>199601</startdate><enddate>199601</enddate><creator>Fichet, Laurent</creator><general>International Musical Society</general><scope>AAYXX</scope><scope>CITATION</scope></search><sort><creationdate>199601</creationdate><title>Stéréotypes harmoniques de la musique baroque</title><author>Fichet, Laurent</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c556-10bc01f0913740316e54212789e0ae0b3572f865f57d89e248ab920277a75b9d3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng ; fre</language><creationdate>1996</creationdate><topic>Baroque music</topic><topic>Chord Progressions</topic><topic>Compositional Techniques</topic><topic>Cycle of Fifths</topic><topic>Harmony</topic><topic>Melismas</topic><topic>Music history</topic><topic>Music Theory</topic><topic>Musicology</topic><topic>Sequences</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Fichet, Laurent</creatorcontrib><collection>CrossRef</collection><jtitle>Acta musicologica</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Fichet, Laurent</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Stéréotypes harmoniques de la musique baroque</atitle><jtitle>Acta musicologica</jtitle><date>1996-01</date><risdate>1996</risdate><volume>68</volume><issue>1</issue><spage>12</spage><epage>22</epage><pages>12-22</pages><issn>0001-6241</issn><eissn>2296-4339</eissn><abstract>The paradox of Baroque music is that, while it is seemingly dominated by formulaic restrictions and structure, those rules allowed composers to take great rhapsodic liberties. 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| fulltext | fulltext |
| identifier | ISSN: 0001-6241 |
| ispartof | Acta musicologica, 1996-01, Vol.68 (1), p.12-22 |
| issn | 0001-6241 2296-4339 |
| language | eng ; fre |
| recordid | cdi_proquest_journals_934456 |
| source | Jstor Complete Legacy |
| subjects | Baroque music Chord Progressions Compositional Techniques Cycle of Fifths Harmony Melismas Music history Music Theory Musicology Sequences |
| title | Stéréotypes harmoniques de la musique baroque |
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