Stéréotypes harmoniques de la musique baroque

The paradox of Baroque music is that, while it is seemingly dominated by formulaic restrictions and structure, those rules allowed composers to take great rhapsodic liberties. Music analysts must take care not to generalize all Baroque music as harmonically homogenous; although common progression te...

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Veröffentlicht in:Acta musicologica 1996-01, Vol.68 (1), p.12-22
1. Verfasser: Fichet, Laurent
Format: Artikel
Sprache:eng ; fre
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Zusammenfassung:The paradox of Baroque music is that, while it is seemingly dominated by formulaic restrictions and structure, those rules allowed composers to take great rhapsodic liberties. Music analysts must take care not to generalize all Baroque music as harmonically homogenous; although common progression techniques included circles of fifths and melismatic sequences, their perceived prevalence should not diminish their musical usefulness.
ISSN:0001-6241
2296-4339
DOI:10.2307/932678