NINA SIMONE'S TRIPLE PLAY

No one critical apparatus can sustain a sufficient reading of Nina Simone, an artist celebrated in part for having stylized a heterogeneous musical repertory of songs for nearly four decades. A classically-trained pianist who shifted into jazz, pop, cabaret, and folk performing in the mid 1950s as a...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Callaloo 2011-01, Vol.34 (1), p.176-197
1. Verfasser: Brooks, Daphne A.
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
Beschreibung
Zusammenfassung:No one critical apparatus can sustain a sufficient reading of Nina Simone, an artist celebrated in part for having stylized a heterogeneous musical repertory of songs for nearly four decades. A classically-trained pianist who shifted into jazz, pop, cabaret, and folk performing in the mid 1950s as a way to support her education and subsequently to shore up her income, Simone gained notoriety for having moved fluidly from playing the music hall chanteuse by covering Gershwin's "I Loves You Porgy" and the Norwegian folk lilt of "Black is the Color of My True Lover's Hair." She was the ultimate queen of popular music "crossover" in the most exhilarating and unconventional sense of the word, and she deftly and consistently called upon this ability to mix and match musical forms as a way to break free of the racial and gender circumscriptions placed upon her in popular music culture. Here, Brooks features Nina Simone.
ISSN:0161-2492
1080-6512
1080-6512
DOI:10.1353/cal.2011.0036