Enescu’s Musical Language in Suite Impresii din copilărie [Impressions of Childhood]

The musical language of George Enescu (1881-1955) is sprinkled with symbolic valences that carry the imprint of the Romanian musical culture. For more than half of a century (57 years), Enescu wrote musical works inspired by the folkloric tradition. Between the , written when he was 16 (in 1897) and the , when he was 73 (in 1954), Enescu also composed: No. 1 (A major), op. 11 (in 1901), No. 2 (D major), op. 11 (in 1902), No. 3, A minor (in 1926), (in 1928), (From the country), op. 27, D major (in 1938) and the programmatic suite [Impressions of Childhood for violin and piano], op. 28 in D major (composed in 1940). The paper presents the temporal-spatial structure of the musical masterpiece which reveals a cyclical thinking based on a presentation of the exterior images, followed by the interior images and a return to the exterior. And by an extrapolation of meanings, I created an analogy with the stages of life: childhood, maturity and old age. This article also deals with elements of the musical language used by George Enescu in a manner that reveals a re-created Romanian folklore in a way which bears the imprint of personality and originality of the composer.