Perkins, Gombrich and Criteria

Pye explores the connection between film critic V.F. Perkins and art historian E.H. Gombrich, focusing on their shared emphasis on concrete and specific analysis. Perkins was introduced to Gombrich's work in the 1960s and found his method of discussion to be more accessible and balanced than other art criticism. Perkins' doubts about the use of criteria in film criticism are highlighted, as he believes that criteria can be used to disguise the reality of judgment. Pye also discusses Gombrich's essay on Raphael's 'Madonna Della Sedia' and its influence on Perkins' thinking. Both Perkins and Gombrich reject the idea of predetermined criteria and emphasize the importance of understanding the problems artists confront and the detailed solutions they create. Perkins' approach to criticism is characterized by accuracy in description, grounding interpretation in the concrete elements of the film, and respecting the medium and form within which the film operates. Pye concludes by highlighting the challenges and responsibilities of the critic in engaging with films in a meaningful and honest way.