The Shanghai Conservatory, Chinese Musical Life, and The Russian Diaspora, 1927–1949: Dedicated to Neil Edmunds

Shanghai in the late nineteenth and early twentieth centuries was home to communities and musicians from all parts of the world. Among the over 20,000 Russians living there, a significant population of musicians contributed to the musical life of the city, particularly the Conservatory of Music foun...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Twentieth-century China 2012, Vol.37 (1), p.73-95
1. Verfasser: Yang, Hon-Lun
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
Beschreibung
Zusammenfassung:Shanghai in the late nineteenth and early twentieth centuries was home to communities and musicians from all parts of the world. Among the over 20,000 Russians living there, a significant population of musicians contributed to the musical life of the city, particularly the Conservatory of Music founded in November 1927. This article reveals an overlooked phase of musical exchange between China and the West by 1) tracing the context and early development of the Conservatory; 2) identifying and discussing the activities of the Russian pedagogues (including Boris Zakharov, Vladimir Shushlin, and Sergei Aksakov amongst others) and their more notable Chinese students’ (including Li Delun, Ding Shande, Wu Leyi, and Yi Kaiji amongst others) reaction to them; 3) assessing the role that Russians played in the affairs of the Conservatory; and 4) demonstrating how Russian pedagogues influenced the development of Western classical music in China through their students’ notable achievements.
ISSN:1521-5385
1940-5065
1940-5065
DOI:10.1353/tcc.2012.0010