Acrylic colors for peace: Non‐invasive study of an outdoor mural painting

In 1952, contemporary artist Federico Silva (Mexico City, 1923–2022) carried out the first outdoor mural painting: The technique at the service of peace. At the end of 2021, the project for the study and conservation of this mural began with a diagnosis of its conservation, which was done through a...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Color research and application 2023-07, Vol.48 (4), p.381-392
Hauptverfasser: Cano, Nathael, Lucio, Oscar G., Pérez, Miguel, Mitrani, Alejandro, Nagaya, Alan, Sil, José Luis Ruvalcaba, Medina, Ricardo
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
Beschreibung
Zusammenfassung:In 1952, contemporary artist Federico Silva (Mexico City, 1923–2022) carried out the first outdoor mural painting: The technique at the service of peace. At the end of 2021, the project for the study and conservation of this mural began with a diagnosis of its conservation, which was done through a multi‐technique study based on the experience acquired in research projects from other contemporary mural paintings. This included the proposal of an adequate conservation strategy to resolve the stability of the painting, since the behavior of the synthetic paints exposed to the different effects of the outdoor environment has altered the perception, form and meaning of the mural. Main results from this approach by documentation and global examination with Visible Imaging and Digital Microscopy, allowed us to describe the color palette and its alterations. Additional examination of cross sections acquired from this mural, allowed a material characterization by means of optical microscopy (OM), micro‐hyperspectral imaging, Fourier transformed infrared spectroscopy and X‐ray fluorescence spectroscopies. Non invasive study of mural painting.
ISSN:0361-2317
1520-6378
DOI:10.1002/col.22861