Creative Territory and Gastronomy: Cultural, Economic, and Political Dimensions of Tourism in Historic Brazilian Cities

This study aims to present the interrelation between gastronomy and creative territories, from the cultural, economic, and political dimensions of sustainable cultural tourism. This study used tourist spaces as creative territories in Brazilian historic cities. The methodological process of understanding the analytical dimensions was based on the regressive-progressive method of Henri Lefebvre that establishes three dialectical movements: the descriptive, the analytic-regressive, and the historical-genetic. This paper deals with the results obtained in the first of three movements: the descriptive process, which aims to know the object that is being studied; making use of public information; and allowing a generalized theorization. The gastronomic heritage is understood as an important experience; however, it still does not play a prominent role in the official identity of the historic towns. The results show that gastronomy, an intangible cultural heritage, is politically forgotten in the historic towns. A diversified range of cultural attractions turned to their built cultural patrimony was recognized, but only three, Pelotas, Sobral, and São João del Rei, have their cultural identity associated with local gastronomy. The tourist activities of the cities analyzed, in their majority, are focused on nature, which propitiates the development of sun and beach tourism, relegating cultural and creative tourism to the background. Culturally the historic cities have their cultural identities associated with the built cultural patrimony, and only Pelotas and Sobral develop actions directed to their gastronomic patrimony. The tourism economy in the historic cities is directly related to cultural and gastronomic activities. Politically, the cultural area seems to be better structured and managed in comparison with the tourism area.