SPIRITUALS AND THE CHAIN OF MEMORY IN JAMES CONE’S SPIRITUALS AND THE BLUES
James H. Cone gives an account of a black cultural identity in his Spirituals and the Blues (1972) that can be seen as connecting to a body of tradition that reveals Cone’s reinvigorating memory work. The present essay examines how the chain of memory is at work to reconstruct the African American s...
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| Veröffentlicht in: | British and American studies : B.A.S 2022-01, Vol.28 (28), p.249-259 |
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| container_title | British and American studies : B.A.S |
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| creator | Gaál-Szabó , Péter |
| description | James H. Cone gives an account of a black cultural identity in his Spirituals and the Blues (1972) that can be seen as connecting to a body of tradition that reveals Cone’s reinvigorating memory work. The present essay examines how the chain of memory is at work to reconstruct the African American self in a religio-culturally authentic way. |
| doi_str_mv | 10.35923/BAS.28.26 |
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| ispartof | British and American studies : B.A.S, 2022-01, Vol.28 (28), p.249-259 |
| issn | 1224-3086 2457-7715 |
| language | eng |
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| source | DOAJ Directory of Open Access Journals; EZB-FREE-00999 freely available EZB journals |
| subjects | African American literature African Americans American Literature Black people Blues music Christianity Cone, James H Cultural heritage Cultural identity Memory Politics and Identity Politics of History/Memory Religion Sociology of Religion |
| title | SPIRITUALS AND THE CHAIN OF MEMORY IN JAMES CONE’S SPIRITUALS AND THE BLUES |
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