SPIRITUALS AND THE CHAIN OF MEMORY IN JAMES CONE’S SPIRITUALS AND THE BLUES

James H. Cone gives an account of a black cultural identity in his Spirituals and the Blues (1972) that can be seen as connecting to a body of tradition that reveals Cone’s reinvigorating memory work. The present essay examines how the chain of memory is at work to reconstruct the African American s...

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Veröffentlicht in:	British and American studies : B.A.S 2022-01, Vol.28 (28), p.249-259
1. Verfasser:	Gaál-Szabó , Péter
Format:	Artikel
Sprache:	eng
Schlagworte:	African American literature African Americans American Literature Black people Blues music Christianity Cone, James H Cultural heritage Cultural identity Memory Politics and Identity Politics of History/Memory Religion Sociology of Religion
Online-Zugang:	Volltext
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Zusammenfassung:	James H. Cone gives an account of a black cultural identity in his Spirituals and the Blues (1972) that can be seen as connecting to a body of tradition that reveals Cone’s reinvigorating memory work. The present essay examines how the chain of memory is at work to reconstruct the African American self in a religio-culturally authentic way.
ISSN:	1224-3086 2457-7715
DOI:	10.35923/BAS.28.26