Four Vignettes by Marcelo D'Salete
Joāo Pedro was a black, beautiful teenager of14 years old and nothing prevents us from imagining that he loved to read comic books. 1991. In a society that has gotten used to seeing black citizens from the peripheries of Säo Paulo or the favelas of Rio de Janeiro as a set of see-through statistics-w...
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Veröffentlicht in: | Transition (Kampala, Uganda) Uganda), 2021-04 (130), p.190-193 |
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Format: | Artikel |
Sprache: | eng |
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Zusammenfassung: | Joāo Pedro was a black, beautiful teenager of14 years old and nothing prevents us from imagining that he loved to read comic books. 1991. In a society that has gotten used to seeing black citizens from the peripheries of Säo Paulo or the favelas of Rio de Janeiro as a set of see-through statistics-whether those numbers refer to poverty levels, dead or imprisoned bodies, or the collateral casualties of the war on drugs-claiming the right to opacity, the right to be ambiguous, to exist within the complexities, nuances and contradictions that are attributed to the individual, is a minimum requirement for humanity. ® Nohora Arrieta Fernandez is a Ph.D. candidate in the Department of Spanish and Portuguese at Georgetown University, where she specializes in Latin American Literary and Cultural Studies. Currently, she is a Research Associate at ALARI (Afro Latin American Research Institute/Harvard University) and a fellow at the Lannan Center for Poetics and Social Practice (Georgetown University). |
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ISSN: | 0041-1191 1527-8042 |
DOI: | 10.2979/transition.130.1.19 |