ANTI-EVOLUTION OF THE PHENOMENON OF CONSTRUCTION-ITS RELATION TO THE ENVIRONMENT

Keywords: evolution; creation; cultural landscape; dwelling; natural processes. 1.Introduction Vernacular architecture as an act of creation by unknown man The topic of the paper is the reach of vernacular architecture, which is a reflection of man's aspiration to create conditions for existence in nature and to improve the conditions of his life by continually unconscious architecture. Describing vases, Le Corbusier speaks of a person's innate aesthetic sense to connect line, colour, abstract performances, aesthetic values, and unconsciously create a work of art, relying on the inner intuition and creative force that exists in each person, as well as the innate sense of harmony, because in the end, man himself is a product of natural harmony, "The peasants' art is an astonishing creation of aesthetic sensuality.'" (Le Corbusier, 2008) If we would talk about successful architecture of peasants, we would find a certain principle in the method of multiplication, a certain repetition of the adopted model of a house for a certain environment, whereby the thinking manbuilder would notice the defects of a certain model and during the next construction he would eliminate the deficiencies and refine the model until he unconsciously reaches the level of architectural realization, striving exclusively to creating a safe existential space. The patterns humans impose on the earth, purposefully as well as inadvertently, through land-use change are fundamental determinants of local, regional, and global ecological processes that ultimately influence the sustainability of both biological and cultural landscapes, and thus human quality of life. In the book by Zvonko Pad strok signan, Architecture of Nature, the problem of the act of creating living spaces from prokaryotes to chimpanzees, that is, from organisms without a functional nucleus to organisms that are at the very top of evolutionary development, is meticulously discussed.